Muriel Maharidge was born and raised in the Lorraine region in Northeastern France. Her music education started when she entered the local conservatory at the age of seven. As a child, her favorite musical work was Mozart’s Magic Flute, and she used to whistle the opera in its entirety during long car trips…

She completed the demanding 10-year curriculum at the conservatory and graduated in oboe performance, chamber music and ear training/music theory. Having graduated from high-school as well, she entered the National Conservatory of the Region of Metz, attending it for seven more years. There, in addition to perfecting her ear-training and formation as an oboist, she undertook studies in orchestral and choral conducting, music analysis, harp and voice, and obtained three more degrees. Meanwhile, she pursued and obtained a specialized degree in Musicology from the University of Metz, founded her own choral ensemble, worked as a choral arranger, and performed as the principal oboe of the Saar-Lorraine orchestra (a French and German ensemble), as well as a member of several vocal ensembles. She also worked in local schools and music schools, teaching musicianship, oboe, and music education courses.

In the summer of 1998, while participating in a conducting master class with Pr. Michel-Marc Gervais, former music director of the Cathédrale Notre-Dame in Paris, Muriel became very interested in his research on the use of non-verbal communication and of the Laban movement analysis in the field of choral conducting. During a stunning performance that Gervais gave with his ensemble, she acquired the certainty of wanting to pursue a career as a choral conductor. Three years later, with the help of a scholarship from the Rotary International Foundation, Muriel was able to enter Gervais’ graduate program at the University of California at Santa Barbara. In 2005, Muriel obtained her Doctorate of Musical Art in choral conducting, after completing a series of 12 recitals and a dissertation on the evolution of the choral conducting profession.

Although she had originally planned to return to France upon graduation, love and marriage happily altered those plans. Soon after Muriel and her husband moved to the Capital Region, Muriel joined the New York Catholic Chorale, motivated by the ensemble’s unique purpose. After having the pleasure to guest-conduct it a few times, she became the new director of the Chorale in August 2007. Additionally, Muriel and her husband are raising the couple’s first baby boy, Quentin. Muriel is also working on two research projects on choral training and conducting pedagogy. She is a capable pedagogue available for lessons or counseling in conducting and in ear-training / sight-singing.




 

   
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